The Sacred Feminine Principle

The Sacred Feminine Principle creates any form from the infi­ni­te­ly small, from a sin­gu­la­ri­ty (a point of infi­nite poten­tial). Up to the infi­ni­te­ly large, eve­ry form remains connec­ted to this point. It becomes its cen­ter, still at the heart of the move­ment.

On the quan­tum scale, space is a dyna­mic sea in which each point has infi­nite ener­gy.

We do not per­ceive this ener­gy because we do not have a direct expe­rience of the infi­ni­te­ly small. Space as we per­ceive it at our scale and at the scale of the uni­verse appears to be smooth and empty.

The geo­me­try of the Sacred Feminine Principle is that of the cuboc­ta­he­dron. It is the only geo­me­tric solid whose all vec­tors are equal. It is per­fect­ly balan­ced. Twelve vec­tors start from the ver­tices and converge to a 13th point, the sin­gu­la­ri­ty at the cen­ter of the structure.

This is the essence of the Sacred Feminine Principle : infi­ni­ty. The num­ber 13 also repre­sents the Sacred Feminine in matter.

In 2 dimen­sions, the cuboc­ta­he­dron appears as a hexa­gon. In 3D, it can be seen as 4 inter­sec­ting hexagons.

The sacred masculine principle

The Sacred Masculine Principle gene­rates limits, from the infi­ni­te­ly small to the infi­ni­te­ly large. Each dimen­sion crea­ted illus­trates, at dif­ferent scales, how finite contains infi­ni­ty.

The Sacred Masculine Principle allows forms to exist, making expe­rience in mat­ter pos­sible.

The geo­me­try of the Sacred Masculine Principle is that of the tetra­he­dral star [1]. This geo­me­tric struc­ture has no cen­ter. However, it contains the geo­me­try of the cuboc­ta­he­dron, which is centered.

The cuboc­ta­he­dron is as invi­sible in this repre­sen­ta­tion as the Sacred Feminine is to our eyes. Yet, howe­ver invi­sible it may be, the Sacred Feminine cen­ters the Sacred Masculine. And only the Sacred Masculine allows the Sacred Feminine to mani­fest itself in mat­ter.

When feminine meets masculine

The struc­tures of the Sacred Feminine and the Sacred Masculine are com­ple­men­ta­ry. The cuboc­ta­he­dron consists of 8 tetra­he­drons poin­ting in. While the tetra­he­dral star is for­med of 8 tetra­he­drons poin­ting out.

From the infi­ni­te­ly small to the infi­ni­te­ly large, all forms are mani­fes­ted in mat­ter from the cuboc­ta­he­dron and the tetra­he­dral star. These can only exist toge­ther as a struc­ture com­po­sed of 64 tetra­he­drons. They define the vacuum geo­me­try, which contains infi­nite ener­gy, the source of all crea­tion. This geo­me­try fits per­fect­ly into a sphere, the most mani­fest form in nature.

Vacuum geo­me­try can be seen as the assem­bly of 8 tetra­he­dral stars, for­ming a cuboc­ta­he­dron – invi­sible here – in the cen­ter of the structure.

64 tetra­he­drons are for­med by the com­bi­na­tion of the cuboc­ta­he­dron and the tetra­he­dral star. Each of these tetra­he­drons fits per­fect­ly into a sphere [2]. The set of these spheres forms a cube – Metatron’s Cube – which gathers the 5 Platonic solids.

The flower of life

Transposed in two dimen­sions, the pat­tern obtai­ned by these inter­pe­ne­tra­ting spheres is that of the flo­wer of life. Thus, the flo­wer of life repre­sents the balance bet­ween the Sacred Feminine and the Sacred Masculine, bet­ween the infi­nite and the finite.

All crea­tion emerges and mani­fests itself from the field for­med by the flo­wer of life, and all crea­tion returns to it. In its cur­rent repre­sen­ta­tion, the flo­wer of life is made up of 19 circles, although the vacuum geo­me­try has 37 circles.

The two-dimensional trans­po­si­tion of the spheres that form the vacuum geo­me­try is more than just a two-dimensional repre­sen­ta­tion. The flo­wer of life illus­trates the phy­si­cal prin­ciple known as the holo­gra­phic prin­ciple (see the article The holo­gra­phic uni­verse : the under­lying unit).

Our uni­verse is holo­gra­phic, it is phy­si­cal­ly built and deployed in the illu­sion of a sepa­ra­tion at the heart of which rei­gns uni­ty.

The fractal dance

Each struc­ture – cuboc­ta­he­dron and tetra­he­dral star – grows thanks to the other, from infi­ni­te­ly small to infi­ni­te­ly large. Like a frac­tal dance of the Sacred Feminine and Masculine, in which the whole motif is repea­ted ad infi­ni­tum at all scales.

Each frac­tal divi­sion mani­fests mat­ter at a dif­ferent level. The human being is the phy­si­cal mani­fes­ta­tion which is half­way bet­ween the infi­ni­te­ly small and the infi­ni­te­ly large.

Everything is move­ment. Every move­ment has a simul­ta­neous reci­pro­cal move­ment. This double move­ment is based on the only two forces at work in the uni­verse : the gra­vi­ta­tio­nal force and the elec­tro­ma­gne­tic force.

The cuboc­ta­he­dron is the struc­ture through which the gra­vi­ta­tio­nal force acts by gene­ra­ting a contrac­tion move­ment. The tetra­he­dral star is the struc­ture through which the elec­tro­ma­gne­tic force acts by gene­ra­ting an expan­ding move­ment.

Thus, the dyna­mics of the vacuum struc­ture, present in eve­ry­thing, is a simul­ta­neous exchange bet­ween these two move­ments. The infor­ma­tion exchan­ged is trans­mit­ted from one level to the next by these move­ments that grow frac­tal­ly, from the infi­ni­te­ly small to the infi­ni­te­ly large. In the cen­ter, all move­ments can­cel out : it is stil­l­ness, the sin­gu­la­ri­ty from which we observe the universe.

A cyclone is a rota­ting mass for­med by a pres­sure dif­fe­rence bet­ween two air masses. In the same way, there are dif­ferent degrees of den­si­ty from the infi­ni­te­ly small to the infi­ni­te­ly large. It is this den­si­ty gra­dient that explains the rota­tio­nal motion of eve­ry­thing in the uni­verse. Like the sacred dance of Female and Male.

Vacuum and manifestation, a great love story

Every star is a black hole. A black hole is crea­ted by the dance of the Sacred Feminine and the Sacred Masculine. Its true – but not appa­rent – move­ment oscil­lates from the sin­gu­la­ri­ty to the phy­si­cal mani­fes­ta­tion of the star as we see it, then from the mani­fes­ta­tion to the sin­gu­la­ri­ty, and so on.

This move­ment bet­ween the gra­vi­ta­tio­nal force and the elec­tro­ma­gne­tic force is so fast — it takes place at the speed of light — that our senses only per­ceive its phy­si­cal mani­fes­ta­tion (read more in the article Movement and Perception).

Every star is a black hole like eve­ry­thing that is mani­fes­ted in the uni­verse, from the infi­ni­te­ly small to the uni­verse itself.

« The flo­wers of spring are the dreams of win­ter,
told in the mor­ning at the table of angels. »
(Khalil Gibran)

Every form is crea­ted in mat­ter, dis­sol­ved in vacuum, recrea­ted, dis­sol­ved again, etc. And conti­nuous­ly, at the speed of light. Thus, the feed­back bet­ween mat­ter and vacuum is such that, at our scale, we have the illu­sion of expe­rien­cing each form in a conti­nui­ty. The fact that any form is recrea­ted qui­ck­ly enough and close enough to the pre­vious one gives us this perception.

The heart

The heart embo­dies the gra­vi­ta­tio­nal sin­gu­la­ri­ty of bio­lo­gy : it is through the heart that we access the infor­ma­tion field of the quan­tum vacuum. Thus, the heart always has access to infor­ma­tion before any other organ in the body, inclu­ding the brain. It is in fact the only organ that sends more infor­ma­tion to the brain than it receives.

Our self-awareness is based on a feed­back of infor­ma­tion bet­ween vacuum and mat­ter. The dee­per we are able to go inside our­selves to access the quan­tum field, the grea­ter our radia­tion into mat­ter will be. Indeed, there is a direct rela­tion­ship bet­ween gra­vi­ta­tio­nal col­lapse and the expan­sion of the elec­tro­ma­gne­tic field [3].

Notes and references
    

[1] A tetra­he­dron is a pyra­mid with a tri­an­gu­lar base.
[2] The sphere and the tetra­he­dron are geo­me­tri­cal­ly com­ple­men­ta­ry to each other. The tetra­he­dron is the most stable struc­ture, the sphere is the most uns­table.
[3] See also the article on the prin­ciple of rhythm, which high­lights ano­ther model of the heart, based on geo­me­try, and which is in line with the theo­ry of Nassim Haramein.

Visuals and texts : © Gaetana